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For the first time in a year, Democrats have something to celebrate.
Virtually every other firm in electronics was in favor of TV being authorized for commercial operation.What has been more challenging to run down has been the nitty- gritty first-person detail that went with the early color experiments.I am indebted primarily to a number of engineers and managers who actually worked on the commercialisation of the CBS color project and the time they willingly spent with me and my wife Gay in testing my "theories" of how CBS commercially mismanaged their entry into the color TV world.Fink/Mc Graw Hill/1947, 1951 and prior) Du Mont Anthology: A Historical Study of the Du Mont Television Network Behind The Tube (Andrew Inglis, ex-RCA, 1990) Wisdom of Sarnoff and RCA (Wisdom Society, 1967) David Sarnoff (Eugene Lyons, 1966) AND PART OF WHICH I WAS (George H.Brown, 1982 revised edition ) Maverick Inventor: my turbulent years at CBS (Peter C.Most operated with test pattern and some broadcast an occasional film.
Noteably, RCA's W2XBS (44 - 50 MHz) and Los Angeles W6XAO (44 - 50 Mc/s; Don Lee Radio Network) had been or were maintaining schedules of 1 to 3 hours daily; Sundays excepted.
What follows is a "work in progress" updated as new information comes to the surface and can be verified.
Additional efforts are ongoing and will continue until a natural culmination of the subject matter results.) References to date: RADIO NEWS (1936 - 1954) RADIO CRAFT / RADIO ELECTRONICS (as renamed in 1948; 1936 - 1954) TELEVISER - Journal of Television (1945 - 1951) FM (later FM & TV; 1941 - 1948) BASIC TELEVISION (Bernard Grob/ RCA / Mc Graw Hill 1949) PRINCIPLES OF TELEVISION ENGINEERING (D.
Goldmark and Lee Edson; 1973) The Great Television Race (Udelson; 1982) And the first person remembrances of Sava Jacobson, Morris L.
Tucci, George De Rado and others who's quotations appear here. Scenario: a) In November 1940 the status of American television was: 1) Approximately ten low-band (44 - 68 Mc/s) experimental stations were capable of tests.
TV zets for Los Angeles were either home constructed following plans distibuted by W6XAO or manufactured by a Los Angeles firm known as Gilfillan Bros (their Model G12 was uniquely able to work in both 50 and 60 cycle electrical environments, common in Los Angeles in 1940).